A Menina do Narizinho Arrebitado é um livro de literatura fantástica do escritor brasileiro Mais tarde, Narizinho Arrebitado seria o primeiro capítulo do livro Reinações de Criar um livro · Descarregar como PDF · Versão para impressão . Sítio do Picapau Amarelo is a series of 23 fantasy novels written by Brazilian author Monteiro . Reinações de Narizinho ("The Adventures of Lúcia Little Nose "), published in with A .. Archived from the original (PDF) on I'd like to recommend the place where everyone could probably find reinacoes de narizinho pdf viewer, but probably, you would need to.
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File Name: Vol1 Reinacoes de bernasungueta.ml File Type: PDF File Size: unknown. Publisher: bernasungueta.ml Downloads: 3. Share this. Urupês went into five editions, and the first edition of Narizinho sold 50, . heard about Peter Pan in As Reinações de Narizinho, ask their grandmother. Enjoying this preview? Become a member to read the full title. Join today and read free for 30 days. Need help? Start Your Free Trial. Reinacoes de Narizinho .
Bem feito Entraram diretamente para a sala do trono, no qual a menina se sentou a seu lado, como se fosse uma princesa. Linda sala! O mordomo introduziu os primeiros queixosos.
Um bando de moluscos nus que tiritavam de frio. Vinham queixar-se dos Bernardos Eremitas. E voltando-se para a velha: — Ignoro se o Pequeno Polegar anda aqui pelo meu reino. Querem novidade. Falam em correr mundo a fim de se meterem em novas aventuras. A Bela Adormecida tem vontade de espetar o dedo noutra roca para dormir outros cem anos. Branca de Neve vive falando em tingir os cabelos de preto e botar ruge na cara.
Ah, por que foi dizer aquilo? Ouvindo chamar dona Benta de velha coroca, Narizinho perdeu as estribeiras. Que desaforo! Que lindos lugares ela viu! Florestas de coral, bosques de esponjas vivas, campos de algas das formas mais estranhas. Conchas de todos os jeitos e cores. Vamo-nos embora, que a luta vai ser medonha. Quantas maravilhas! Muitas, ainda na concha, punham as cabecinhas de fora, espiavam a menina e escondiam-se outra vez. E conchas! Foi correndo e achou a sala de jantar ainda mais bonita que a sala do trono.
Encantada com tudo aquilo, Narizinho batia palmas e dava gritos de alegria. Estamos sem bobo desde que o nosso querido Carlito Pirulito foi devorado pelo peixe-espada.
Nesse momento reapareceu na sala a baratinha de mantilha, de nariz erguido para o ar como quem fareja alguma coisa. Estou sentindo o cheirinho dele.
E farejou outra vez o ar com o seu nariz de papagaio seco. Para onde foi? Procuraram o bobinho por toda a parte, inutilmente. Estou sentindo o cheirinho dele cada vez mais perto. Vendo-a aproximar-se mais e mais, Narizinho perturbou-se. A velha deu uma risada gostosa.
Assim que desconfiei que ele andava querendo fugir, fui logo tratando de trancar suas botas na minha gaveta. Ela mesma tecia a fazenda, ela mesma inventava as modas.
Disse e retirou-se. Depois teceu, depressa, depressa, uma fazenda cor-de-rosa com estrelinhas douradas, a coisa mais linda que se possa imaginar.
Aprendi a fazer todas as coisas.
Sarei, embora ficasse manca pelo resto da vida. Enquanto conversavam, dona Aranha ia trabalhando no vestido. Narizinho vestiu-se, indo ver-se ao espelho. E estava mesmo linda. Polvilhada com ele a menina ficou tal qual um sonho dourado! Dona Aranha voltou-se para as seis aranhinhas.
Antes vire princesa. E continuou aranha. VI A festa e o Major Chegou a hora da festa. Flores em quantidade, trazidas e arrumadas por beija-flores. Uma verdadeira tontura de beleza! Foi a parte de que Narizinho gostou mais. O peixinho gritou para o mordomo que achasse a boneca sem demora. Enquanto isso o baile prosseguia.
De fato! Estou pendendo de sono Mal se deitou, ouviu gemidos no jardim que havia ao lado. Espiou da janela. Era o sapo que fora vestido de velha coroca. Quero que perdoe ao pobre do Major Agarra. Eu falei aquilo de brincadeira. Estava empachado.
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O coitadinho deve estar cansado de esperar por mim Mas perdeu a viagem. Polegar havia desaparecido com a concha e tudo Furtaram-me todas Se quiser, ajudo a enrolar.
Abro a garganta da boneca muda e ponho dentro uma falinha, respondeu o doutor, pegando na sua faca de ponta para amolar. Nesse momento ouviu-se grande barulheira no corredor. Que vem fazer aqui esse papagaio? Bem que resistia ele, mas os caranguejos podiam mais e eram murros e mais murros. E deu ordem para que trouxessem o segundo paciente.
Teve de vir sobre rodas por causa do estufamento da barriga; parece que as pedras haviam crescido de volume dentro. Mas como teria ela ido parar na barriga deste sapo?
A alegria do doutor foi imensa. Veio a boneca. E assim foi. Por fim calou-se. Conte o caso direitinho. A coroca apareceu na gruta das cascas E tanto procurou que achou. E agarrou na casca e foi saindo com ela debaixo do cobertor Narizinho correu para casa. A menina lembrou-se logo do Major Agarra, que prometera vir morar com ela. Ele bem me falou que vinha. Dona Benta fez cara de espanto.
A negra abriu a maior boca do mundo. Era este o assunto predileto das conversas da menina com a boneca. Faziam planos de toda sorte, cada qual mais amalucado.
Narizinho ria-se, ria-se Dizia as maiores asneiras do mundo, mas respondia. Nunca disse doutor Caramujo. Era sempre doutor Cara de Coruja. E nunca quis dizer Polegar.
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Era sempre Polegada. Mas onde moram os dois? Chega a atrapalhar a gente. Nisto apareceu Narizinho, com uma carta para dona Benta trazida pelo correio. Dona Benta leu. Era isso mesmo. Pedrinho viria dali uma semana. Que pena!
Para Pedrinho, sim, posso contar tudo, tudo Felizmente era tempo de jabuticabas. Escolhia as mais bonitas, punha-as entre os dentes e tloc! E depois do tloc, uma engolidinha de caldo e pluf! Vespas em quantidade, sobretudo no fim, quando as jabuticabas ficavam que nem um mel, como dizia Narizinho. Nunca tinham mordido, isso sim. Porque justamente naquela tarde uma mordeu. Dessa vez em lugar do tloc do costume o que soou foi um berro — ai! E foi correndo ao pomar acudir a menina. Bem para fora.
Se fosse mordida de cachorro bravo seria muito pior This period is often called "Golden Age" of the book industry and translation in Brazil.
One of the most publishing achievements was that of the provincial publishing house, Editora Globo de Porto Alegre, which, from to , published a considerable amount of fiction in translation, especially from English. Though the best-selling author in the collection was Somerset Maugham, Em Busca do Tempo Perdido was a commercial success, with a total number of 66, copies printed.
In addition, after the entry of Brazil into the Second World War in , on the side of the allies, censorship was lifted on books about the Soviet Union, resulting in the translation of a large number of books about Russia translated from the English Koshiyama The large number of translations during this period also influenced Brazilian authors.
Monteiro Lobato and the Book Industry in Brazil Monteiro Lobato was probably the central figure in the growth of the book industry in Brazil and the first publisher in Brazil to attempt to develop a mass market for books and to develop the book industry as a consumer industry.
Until Lobato, most publishing was in the hands of Portuguese or French-owned companies, and the target market was very much that of the Francophile middle-class elite. Lobato protested against the fact that there were no tariffs on books imported from Portugal.
This was followed by his first collection of children's stories, A Menina do Narizinho Arrebitado , in which he introduced his cast of children and dolls at the Sitio do Picapau Amarelo.
The success of both books was phenomenal and in many ways started the mass market book industry in Brazil. By more than half of all the literary works published in Brazil were published by Monteiro Lobato e Cia.
People act through knowing the human experience of other people, which is found in the means of communication, especially books, and then acting on it. He innovated in terms of the visual presentation of the book, and was responsible for much more attractive covers than the dull yellow featureless covers which followed the French imports.
Lobato stressed the importance that Brazil should give to its own culture. He was always against following the dominant Francophile culture, copying the latest Parisian fashions in art, music and literature. Porter, Hemmingway, H. Thus Lobato helped to initiate a movement towards the importation of works written originally in English, which would continue right up until the Second World War, when English finally ousted French as the major foreign language studied and spoken in Brazil.
His publishing companies also published unknown authors, thus democratizing access to the publishing industry. Getting published had usually meant the need for influence of friends in high places or money.
Economic factors were all-important for the development of a national book industry. In Lobato criticized lowering the tariffs on imported books and placing high tariffs on imported paper and printing presses, as this would strangle the book industry in Brazil as books in Portuguese produced outside Brazil would compete favorably with their Brazilian counterparts, which used taxed imported paper.
In this struggle he faced the lobby of the well-organized paper industry, who were naturally against lowering tariffs on imported paper, but whose products were expensive and of low quality, thus resulting in costly books printed on poor quality paper. Lobato believed that Brazil should look to the interior, its own folklore and own traditional myths.
But the interior of Brazil needed reawakening. Lobato, always the practical man, encouraged vaccination campaigns and improvements in basic sanitary conditions.
The way in which the US had taken advantage of its mineral wealth, particularly iron ore, coal and oil, showed Lobato what Brazil might be capable of if the country took the correct steps, and developed its own oil industry, rather than leaving it at the mercy of the trusts, especially the Standard Oil Corporation.
On his return from the US, Lobato invested all his efforts and capital in oil prospecting in Brazil. However, these plans were foiled by the onset of the Estado Novo in , when all prospecting plans were centralized and placed under the control of the government, and Lobato's financial losses were considerable.
All the children's literature which was available in Brazil when Lobato began writing was written in the Portuguese of Portugal, and the desire to provide stories his own and other Brazilian children could read stimulated Lobato to write texts for his own and all other Brazilian children. Lobato believed in developing the Brazilian language, and that after years of subservience to Portugal, it was now time to definitively break away from Lisbon and develop a separate Brazilian language.
In a letter he mentions his plans to produce a series of books for children "with more lightness and wit" Vieira than the previously published stories organized by Jansen Muller, which he would rework and "improve".
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Lobato was puzzled by the language used in the Brazilian translations published by the French-owned house, Garnier, and remarked "Temos que refazer tudo isso - abrasileirar a linguagem" Koshiyama , and he recommended that the translator Godofredo Rangel took the liberty of improving the original where necessary.
Thus Lobato's translation technique is one of adaptation, using a more simplified language, which could immediately be understood by children, Lobato's target audience. Lobato's children's books also introduce certain colloquialisms which were somewhat daring for the time. Examples in Peter Pan are "gabolice", "prosa", and "mangar", and, in other works, "danada", "diaba", "macaca", "fedorento", "focinho", "berrou", terms which perhaps today are mild, but which were more daring in the more polite age Lobato was writing in Carvalheiro Their style privileges communication and was attacked by conservative critics.
Lobato was in favor of a spelling reform. Lobato made a large number of translations, which, after his losses on the Wall St. Amongst others, he translated the works of Conan Doyle, H. Many of the translations show signs that they were rushed and compare badly with his more careful adaptations of Don Quijote and Peter Pan.
However, they and Dona Benta herself find the literary style turgid. Near the end of D. In a letter, Lobato describes the difficulties he had to "extirpar a "literatura" de meus livros infantis.
Como achei pedante e requintado! Lobato uses the technique of Sherazade, with Dona Benta interrupting the story every night at nine o'clock, bedtime, and promising more entertainment for the next evening. After reading the history of Charlemagne, he says that Roldan became incarnated in him as he got an old sword, went to the corn plantation, and, thinking the corn plants are , moors, cut them all down Lobato Lobato's work is overtly didactic as he is always placing his pet themes in the middle of the story.
One of the most prominent is that of expanding the book market. Pedrinho has also inherited Lobato's entrepreneurial spirit as he intends to set up a toy factory when he grows up, and intends to market a variety of dolls, including copies of those at the Sitio do Picapau Amarelo Lobato References to Marie Antoinette Lobato , the etymology of the name of Captain Hook's ship, "Hiena dos Mares" ["Hyena of the Seas"] , the background to Cervantes writing Don Quijote Lobato , the fact that barbers used to work as surgeons Lobato , the explanation of stalactites and stalagmites Lobato , the different formats of books: "folio", "in oitavo", etc.
Lobato also broaden the general knowledge of the reader. Narizinho says she enjoys Peter Pan because it is a modern story, funnier and so different to the traditional stories of Grimm, Andersen, Perrault, with their never-ending succession of kings, queens, princes, princesses and fairies, thus reflecting Lobato's attempts to renovate Brazilian children's literature Lobato Lobato was a persona non grata for the Estado Novo nationalist government of Getulio Vargas, who despised Lobato for his internationalism, his constant negative comparisons of Brazil to the US, and his continual meddling.
Lobato's Peter Pan suffered considerable political problems. When the narrator, Dona Benta, compares Brazilian children to English children, she says that, unlike Brazilian children, all English children have a special room of their own, a nursery, which will be full of toys, have special furniture and wallpaper.Dizia as maiores asneiras do mundo, mas respondia. Monteiro Lobato, after his death, has been accused of racism due to the portrayal and treatment of black people in several of his works.
Porter, Hemmingway, H. Namespaces Article Talk. A menina abriu a boca, admirada. CS1 maint: Both popularizing and scholarly translations of the TBC were produced: